My Final First Montclarion Article of the Semester...

...and it's a double feature! :D

Look! My final semester as a staff writer for The Montclarion they include my middle name in the byline. Cool!

I took a photo of my one page feature as soon as I grabbed the brand new issue off the shelf!

A full page double feature! This is the first page of the Arts and Entertainment section of The Montclarion. I open up the section! :)

I am so honored to have come so far as a Montclarion staff writer for four years and am proud that something like this is the beginning of the end for me.

Here is a little behind the scenes story about these two articles and my feelings about them.

This semester the Arts and Entertainment section of The Montclarion got a new editor. His name is Jonathan and I love working with him. He is always on top of things and always gets back to me right away. Those are great qualities for an editor. In the past if a show was not playing anymore The Montclarion would not really want to run my story about it after the fact. Jonathan was okay with my Equus review, and I am grateful. I had been wanting to do this since last summer after all! I wrote it like a reflection as opposed to a review that suggests whether people should see it or not. Most reviews are just opinions pieces anyway so this was good practice for me. Upon receiving my articles and photos, Jonathan replied with "Did I ever mention that you're the best? Thanks for being on top of the game. I really appreciate it." and "You da best!" These definitely stroked my confidence.

Jonathan suggested that I could also do a story on an Equus cast member and since he is friends with some people in the show he would be able to organize an interview. I have done this for freelancing before so I agreed to it and asked who he had in mind. He suggested Taylor Dear, and I was proud to do the story about him. Why?

If you remember my background story about my review of Attempts on her Life from Fall 2012, I had a brief difficulty with the play at first. Taylor happened to have been in this show as well and I interviewed him after opening night to get a quote for my article. First I asked, "What do you want audience members to take from Attempts on her Life?", which he answered. Then I asked him something like, "How does a person GET Attempts on her Life?" meaning what should audience members do to accomplish understanding the play. This is actually one of the most difficult questions I have ever asked an MSU cast member considering its broadness and how ambiguous the play is and I could tell that Taylor struggled a tiny bit with it. However, he stayed with me and took the time to think about the question and answer it even though his friends were outside waiting for him. Now, this is not to say that other cast members would not have done the same thing, but because of this I have a lot of respect for the guy nonetheless.

This past Thursday as I walked down to the Student Center to get my copy of this week's issue, I was pretty nervous because 1) I stressed a little bit about these two articles because I wanted to do justice to them since I had planned it for awhile, worked on them throughout Spring Break, and am a perfectionist with my writing in general and 2) I had not seen my articles on The Montclarion website yet so I was wondering whether or not my article would even be there! I mean, I submitted the articles and photos in good time and Jonathan acknowledged them, plus I was told ahead of time that I was the feature full page article for the week, but this has happened to me before with The Montclarion so that was from where my concern was stemming. When I was about to walk through the door coincidentally Taylor was walking out with a copy in his hands. He told me that the article is great and thanked me. I immediately felt relief, grabbed my own copy, and took the picture up above, proud of myself.

It is because of reactions like Taylor's that I love my job and what I do.

Here are my articles:

Equus review

Taylor Dear Profile

Enjoy! :D

It is always so exciting to take your own copy of a freshly printed newspaper issue from the bunch and then open it up to see your article in it after much anticipation. I was shaking and very thrilled.

Equus is Finally Premiering this Week at Montclair State University!!!

You read me talk about it for like a year now, and now after weeks of anticipation, and some personal preparation on my part to get ready for it, it's finally here. The Department of Theatre and Dance's production of Equus premieres this week at Alexander Kasser Theater! :D

It's funny that when I was reading the book for the first time this past summer, I thought it would be staged in L. Howard Fox Theatre, but normally shows that are a big deal like this are staged in Kasser, so this makes sense. I am interesting to see how it is going to be performed and staged after trying to picture it for so long.

Since the beginning of my Spring 2013 semester, I've been seeing flyers and framed pictures of this all over the place, and every time I see it I get so pumped! :) There's always that one big show they advertise like this.

I've been looking forward to seeing this play by doing some countdowns up to this week and wondering what to expect (and if it is going to be what I am expecting), so we'll see if its theatrical nudity goodness pulls off a good show! I'm also bracing myself for any potential uncomfortable moments considering the subject matter.

I think I am going to brush up on the script again before I see it. I will also be reviewing for The Montclarion, so stay tuned! :)

For more information about Equus at MSU, click here.

To read my book review of Equus, click here.

Peak Performances Update :)

The Department of Theatre and Dance 2012-2013 season lineup is now hanging in Life Hall!

Hey, look! There's Equus again!

The  pamphlet for the students productions are also available in the Alexander Kasser Theater. They are now stored in the newly added shelves instead of the table they used to be stored on near the Box Office. I believe you can also get them in other locations on campus or even in the mail.

For tickets to these shows and more, click here. This is another place where you can find the lineups of shows.

Throughout campus the shows are advertised with posters like these and more.

Department of Theatre and Dance Student Productions at MSU 2012-2013 Season Lineup

The Department of Theatre and Dance this season at MSU is a bit behind in advertising the student productions of this season, so I took it upon myself to personally get permission to help out and advertise the shows on this here blog. :)

The following is the lineup I was given by request. :)

Hey, look! There's Equus!

There you have it! Now you're informed! Enjoy the shows if you are able to see them! Also, look forward to some reviews of these shows written by me! :)

Stef's "So Good You Can't Put It Down" Book Reviews: End of Summer 2012 Reading Challenge Book List and Comments

You'll be happy to know that my Summer 2012 Reading Challenge was not a failure. I did sample a nice handful of books this summer. Those are the following:

Equus-Peter Shaffer (Finished in two days)

Northanger Abbey-Jane Austen

The Abstinence Teacher-Tom Perrotta

Summer-Edith Wharton

The Grapes of Wrath (Play Version)-Frank Galati (Somewhat read)

Seminar-Theresa Rebeck (Finished in two days)

Who's Afraid of Virginia Woolf?-Edward Albee (Finished)

Steel Magnolias-Robert Harling (Finished)

Dirty Blonde-Lisa Scottoline

A lot of these I bought from the Annual Lacordaire Academy Book Sale and are listed above by order of which I began and/or continued reading them. This is the basic order I remember. I would alternate between books throughout my reading experience. I already wrote pieces about Equus and Who's Afraid of Virginia Woolf?, so I will just give a few words about the rest of the books I read. What all of these books have in common is that the all have a strong female lead character, which is probably why I like them and what drew me to them in the first place. What's interesting too is that the female characters are each an evolved form of another or previous female character, each woman representing a different form of feminism, so that is how I am going to list them in my reviews below while also incorporating the order in which I read them.

AND you don't have to worry about spoilers from me, because I don't know the endings of most of these works either! :P

Northanger Abbey
This is the main novel I attempted when I said I wanted to tackle more classics. I had been familiar with this novel since I was a kid and saw the "Wishbone" episode in which it was featured, so I had been interested in the back of my mind in reading it ever since.

I always appreciate a story with a lead heroine, only in this book Austen makes it a point to say that her lead female Catherine Morland is not yet a heroine and is pretty much not heroine material. She is described as goofy and not very attractive. She is pretty much what you would expect from a quirky female character whom is still discovering her world and is not ready yet to be taken seriously because of her youth and innocence. It is because of her that the book is cutesy and light-hearted, understanding the romanticism of younger women, which is nice because not every book should be heavy and it's nice to relax and read a cute novel, but on the other hand...

The thing about this book is that it is extremely slow moving and the characters portray themselves as very snooty and Catherine is just trying to fit in this snooty, wealthy society. It is very repetitive and does not seem to go anywhere, the characters complaining and making comments about the same things more than once. It is just her vacationing at Bath with these people, but there does not seem to be a specific plot yet and so far I am at least a quarter or a third in the novel. I like that the story plays around with gender stereotypes, which is refreshing because it is set in a time period where gender roles were set in stone and Austen is writing in this time period and scoffing at it. I was told and read that this book is supposed to be a parody of gothic novels (but to me it is also a parody of this time period and society), so this makes sense.

Summer
I didn't read a lot of this one to really comment about it much, but it does have a quirky yet strong female lead and she stands up for herself more than Catherine would or maybe even needs to. This plot appears to be slow moving as well, but it seems to be one of those books that you take in stride as leisure reading. Like Northanger Abbey, it is a seemingly calm, not-so-heavy book. The book is described as depicting a young woman's sexual awakening, so that's why it grabbed my attention. Even so, the book hasn't really grabbed me in yet fully. It does look like it has the potential to build into something bigger though. I actually really like this one.

The Abstinence Teacher
As soon as I began reading this one awhile ago I liked it because it is very modern in the writing style and takes place in New Jersey, so I can relate. It is up there as one of my favorite books because of the style, familiarity, and subject matter. What the book does is argue Christianity and the controversy that surrounds it, such as abstinence-only education. The lead female character, Ruth Ramsey, is an abstinence teacher, but she also believes in forms of contraception and not keeping the kids in the dark about these alternatives. However, the institution at which she teaches and resides pulls the reigns on her and prevents her from doing so, for she gets into trouble because of it. Homosexuality, sexuality, priesthood, church, parish picnics, infidelity, conversion, misconstrued beliefs, beliefs, etc., are other themes that the novel discusses and believers versus non-believers is a huge part of the conflict in the story. This type of stuff interests me enough in everyday life, which is how the book initially got my attention in the first place and why I liked the book since the beginning, but yet because these are things I often see in my own life, I don't necessarily want to read about it in fiction and get further irritated about it because these topics also have a tendency to stress me out a bit. I am halfway through it, but there are times I do have to take long breaks from it because it can be a little bit too much.

Steel Magnolias
Because my reading of Who's Afraid of Virginia Woolf? was such a success, I decided to look in the library for another play to read this summer. This one jumped out at me on the library book shelf in the drama section, partially because I remember that it was performed at the Paper Mill Playhouse. This play isn't as gut-wrenching as the others with deep meaning as it is plain entertainment, with witty one-liners and some sad discussion points. The cast is all female and movies have been based on it, so it is always great to see a written work dominated by interesting women (even though it was written by a man, which is something I didn't quite understand or appreciate until later). It's just a bunch of women having conversations in a hair salon with one central character. After I completed the play I read in the book jacket that this was Harling's tribute to his mother and sister (for a mother/sister duo are the main characters of this play) and after I read this the play made more sense to me. It is considered a gift to these two family members of his and reads that way. It isn't meant for anything else to be explored.

Dirty Blonde
The title itself of this book spoke to me, because I myself have dirty blonde hair, and the description on the back of the book jacket further clenched my interest. A blonde woman, Cate Fante, becomes a judge and is not taken seriously by some because of the way she carries herself. After she makes a judgement on a case, the aftermath of her judgement spirals out of control and soon her own personal life gets involved in the works and hangs in the balance.

This actually might be my favorite one out of this list, because I literally got halfway through the book with flying colors, feeling myself apart of the action, but like with The Abstinence Teacher, I kind of had to take a break from reading this one too. The story takes a turn for the more annoying much like that one, basically making a big deal about a woman and her sexual exploits and her whole world toppling down because of it. An argument that is made in the book is whether or not any of this would be a big deal if she were a man. As I was reading it I saw that the book provides you with book club discussions in the back, so I think that is interesting and take them into account as I read.

However, I still have a lot of positive things to say about the book regardless. What I do like is that Scottoline always ends her chapters with a cliffhanger. I always loved this about fiction books as a child so I am glad to see this style of writing again. These kinds of chapters keep you reading, wanting to learn what happens next, so you know that this is a skillful author who knows how to captivate her readers. Even when I was really tired and did not want to continue reading because of my heavy eyes, it made me briefly read ahead anyway and skip ahead sometimes just to ease my wonder a bit. It is suspenseful, a favorite genre of mine, and somewhat mysterious, which can send chills down one's spine. 

And so my Summer 2012 Reading Challenge comes to a close. I'm not saying that any of these books are bad. These are just the impressions they give me and I am still willing and determined to complete them at some point. I am even considering to read them leisurely during my school and work life. This might also be my last blog post for a little while so I can focus on school and other things, so I think I can safely say that I accomplished the summer blog posts I had planned. Thank you so much for reading!

Oh, and Happy Labor Day! This day can be considered the final day of summer, so coincidentally I am posting this today. Haha.

Stef's "So Good You Can't Put It Down" Book Reviews: Are Plays Considered "Books?" (and Briefly Discussing Edward Albee's Who's Afraid of Virginia Woolf?)

My Summer 2012 Reading Challenge is still underway. Recently (a few weeks ago) I finished reading Edward Albee's full length three act play Who's Afraid of Virginia Woolf? It is a very interesting read that kept me engaged. It's one of those books where the reader is so into the what is going on in the story that he or she is not often interrupted by outside distractions. Like when I complete most books, I felt accomplished when I finally finished this one in only a few days. It's pretty long and very heavy. It was written by Edward Albee after all. Edward Albee is the most well known American playwright of our time and he is still living. Albee has a tendency to write plays where he takes a normal situation and eventually makes it creepy. For example, in Who's Afraid of Virginia Woolf?, an older married couple that is constantly at each others' throats, George and Martha, invites a younger married couple, Nick and Honey, over for drinks one late evening, early morning after a party at a college at which they work. Of course, this set up sounds normal, but then there are plenty of psychological revelations throughout the play through the interactions of the characters that could send shivers down your spine.

Albee does well with suggesting certain things towards the beginning and then explaining them later on, making these explanations climatic. He keeps you interested in wanting to know what the secret is and who is going to find out. That's all I'm really going to say about this one, for this is a play I've been wanting to read and I enjoyed the journey of reading it and discovering these revelations on my own without any truly important prior information, so I want you to do the same if you are interested in reading it. This book, along with Equus, is the only book I finished reading this summer for my challenge. The last time I went to library, figuring that reading plays is a lot more successful for me, I took out the play Steel Magnolias by Robert Harling and am in the process of reading that.

This got me thinking about something I have been wondering for awhile now. Does reading plays in book form count just like reading actual fiction novels do? I say this because reading plays was always a lot easier and enjoyable for me, mainly because I am a theater person. Also, they are structured differently and mainly consist of dialogue whereas fiction consists more of narration and descriptions. I always felt that the story occurs quicker in plays whereas fiction drags out sometimes.

However, I feel like I am cheating in a way when I count a play as a book I have read because the story is simpler to picture in my mind on a stage as opposed to the setting of a novel and also because when one thinks about "reading a book" it's normally fiction and plays are normally supposed to be seen and not read. Is it still an accomplishment to read plays even though? Rather, is it still an accomplishment equal to that of actually getting through a novel, or is it less of an accomplishment? Or, is it an equal accomplishment, but just in a different way? I could ask about reading material being easy. Is it considered a better accomplishment if the material is more difficult to complete, or is it just the fact that you completed any book that counts? I personally find reading plays easier and more enjoyable, but then there are others who could have a more difficult time reading plays just because they don't understand how to read them. Regardless, I still finished reading the book, so it should not matter whether or not it was easy for me. But I could also bring up the question of reading children's books, which is the simplest of all. Does reading a whole children's book count as a reading accomplishment equal to reading a whole novel? It just seems as though fiction is the constant and the other forms of literature branch off from that.

Then again, this is like saying that plays aren't true writings whereas fiction writing is, downgrading them as if plays are second to novels when it comes to literature. Drama, fiction, poetry, and even screenplays are all equal forms of literature, but they are also different. I could also ask if reading a full book of poetry counts as a reading accomplishment. Poetry can also be considered "simpler" considering that poems are shorter. But, the meanings of poems could be much deeper, considering how poetry is often symbolic and metaphoric, and in turn make the reading that much more difficult to get through and understand and that much more rewarding when you actually do so. However, drama, fiction, and screenplays can also definitely have their own symbolic messages that their readers must discover as well. If meanings don't exist, then there probably is no point to the piece anyway.

Does only what you take from the material matter? Should the length of the material be taken into account when it comes to finally completing a book to determine how much of an accomplishment it is or is it just the message and what you ultimately get from the material that counts?

Or, is reading a book from beginning to end (without skipping ahead of course) the only thing that should determine a successful reading accomplishment?

Have you ever thought about this? If so, what are your thoughts?

Stef's "So Good You Can't Put It Down" Book Reviews: Equus by Peter Shaffer

So far what anybody really knows about this play is that a troubled teenager went crazy one night and blinded a bunch of horses...

Ladies and gentlemen, the reason why I even decided to buy Equus from the Lacordaire Academy Book Sale:

 

That's right! I saw this hanging up in Life Hall awhile ago and decided to take a picture of it for this blog! Apparently, they will be performing Equus in the Spring 2013 semester, so I figured I'd read the play to prepare myself for it, since I very rarely read a play ahead of time on my own before I go see it. Now you have the honor to see me review both the actual script and if I able to, the Peak Performance for The Montclarion. I will write this review based on how I feel MSU will produce it and then down the line we will see if I am right.

BEGAN READING: May 20, 2012

FINISHED READING: May 21, 2012

This is one freaky play that makes for intricate theater (especially the final scene of Act 1, right before the blackout), so it's no wonder that Montclair decided to perform it this upcoming season. I can picture it being performed in Fox, for there is limited setting that can be accomplished with benches, which is actually what the script calls for. Equus includes lighting changes according to mood and flashbacks, background chanting and other sound effects, a singular setting that can incorporate multiple settings which don't require much set, and cast members sitting on the actual stage when they are not in a scene as opposed to going backstage, all of which I've seen happen in Fox before, so therefore I believe that is going to be the choice theater.

There are scenes in which the lead male character, Alan Strang, mimes taking his clothes off or actually takes off some of his clothes. Yeah, this is a Montclair Peak Performance production. There's going to be full-blown theater nudity in this, which is probably another reason why Montclair has decided to include it in the 2012-2013 lineup. If the script calls for it and other productions of this same show have Alan get completely nude, we're definitely doing it too. Chances are this production will be directed by Susan Kerner if this all plays out. However, both theatrical nudity and Susan Kerner productions have only taken place in Kasser, but we may yet be able to see it done in Fox. 

I'm actually going to bring what I learned in my "Major Film Genres" course from this past semester about the hard-boiled detective genre into this review. Martin Dysart, a psychiatrist who has issues of his own and is overworked, is approached by Hester Salomon to help troubled teen Alan Strang. Like hard-boiled detectives, Dysart is approached with an assignment and becomes more and more invested to get to the bottom of the case. The only difference here is we are told right away what has happened (1.2) and Dysart's task is to figure out why it happened and spends the whole play trying to use different methods, such as hypnosis, to get into Alan's psyche. He is trying to solve the case instead of cure Alan. To me, Dysart acts more like a detective than a psychiatrist, because the script leaves you in suspense about what actually happened the night Alan, ahem, blinded six horses with an ice pick. See, usually this is the punchline but here it is revealed when the play begins, getting it out of the way, so it therefore is a bunch of flashbacks and works backward. In normal mysteries, the "what" is discovered along the same time as the "why," but in Equus this is not the case.

The play is pretty much about a seventeen-year-old kid who worships horses. His mother, Dora, is religiously devout whereas his father, Frank, wants nothing of the sort. It is because of the conflict between his parents that Alan connects religious salvation to horses. However, Alan's thoughts and actions seem too psychotic for his mother to be the blame. I could see if Dora was a religious fanatic with him growing up, but from what I see all she really does is teach him biblical verses and the ways of the Lord just like any other religious mother would. In fact, in Act 2 Scene 23, Dora has a very interesting monologue about how she shouldn't be blamed for Alan's actions because she is a parental influence but rather Alan should because he is his own person. To me, Dora isn't to blame because she hasn't done anything abnormal when raising Alan to cause his mental confusion to happen. It's Alan's own perspective of religion and horses that drive him into such a frenzy.

When Alan was a child Dora bought him a picture of Jesus shackled in chains, which hung on the wall in front of his bed, but Frank replaced this picture in the same location with that of a horse looking at him. Alan's young mind connected the horse, Equus, with Jesus because the horse took Jesus's place in Alan's bedroom and they both wear chains, so ever since his childhood Alan was influenced by this, so it was his parent's doing after all, though it was his own perception of everything that caused his confusion and intense reactions. Dora tells him that God watches him all the time and it just so happens that the horses watch him as well, further connecting the horse to God. Christians believe God is in Heaven watching over us, but Alan physically sees the horses always watching him, making it more real for him and putting him under extra pressure. Next time you look at a horse (but ignore the teeth first) think about this. It's a majestic looking animal, so it's very understandable that Alan makes it his deity. 

Horses represent so much for this kid! They represent salvation, sexual expression, freedom, sensuality etc.! There's a whole argument here I can bring up about how sexuality and orgasms bring you closer to God because it gives you an ecstatic feeling of no pain and worry, pleasurable feelings you experience to make you at one with God (I actually read about this idea in an article and really like the analogy.). This is exactly what Alan experiences, but with horses! We can say that this is bestiality, because it's clear throughout the play that Alan is sexually aroused by these horses even though it is not blatantly told to us. It may seem gross at first glance, but if we connect his love for Equus to his love for God, and if sexual love and spiritual love are one in the same, it makes a lot more sense and seems less grotesque. To him, Equus IS God. I definitely think of horses differently after reading this play in this religious sense.

A good thing about this play is that even though Dysart and Alan go into philosophical rants, which are the poetic, somewhat confusing moments of the play, the rest of the play is pretty understandable. It flows well, the scenes being continuations from the previous ones as if they are chapters of a novel, so there is not a lot of pausing and you can understand the issues of the characters. One criticism I have about the play is how Shaffer incorporates Dysart's background story and connects it with Alan's. Normally I would appreciate this and think that the play is lacking if Shaffer left out Dysart's back story, but the thing is, I don't feel Dysart's story is needed in this particular play. Dysart comes to realizations of himself because of his interactions with Alan, but it doesn't' really contribute anything to the plot. Alan's story is interesting enough to keep the play flowing, deeming Dysart's story unnecessary, even if it is connected to Alan in some way. We are there to figure out what the deal is with Alan. In fact, we are at the edge of our seats waiting for the conclusion and Dysart's story, which is presented in lengthy monologues, just interferes and proves as a distraction from the center plot. Alan is the reason why people care about this play and the reason why they go see it. They care about Alan's story because his story is the catalyst and reason of the play. Dysart's story isn't what people care about and audiences may not even know about it going in or remember it coming out. Alan's story is automatically known. I could be wrong about this for I don't speak for the public, but what character is more interesting: the teenager who has been committed in a ward because he rides horses in the nude and has blinded six of them or his psychiatrist whose main focus is Alan and his marital problems come second to his work and are just thrown into the play as random additions? Exactly. Alan is the way more interesting character.

I can't conclude this review without talking about this: 

 

Isn't it kind of sad that my first exposure (pun definitely NOT intended) to this classic play was a nude ex-wizard? From what I remember, the girls of America went wild when they found out Dan Rad would be baring all for the Broadway production of Equus back in 2007. I never saw Daniel Radcliffe's production of Equus, but this is how I first heard of this play's existence and as I was reading the play I kept thinking about him in it. I'm sorry, but I do not picture Radcliffe pulling off Alan Strang well, who is actually a pretty rebellious jerk (Ha! I called him a jerk) of a character. We grew up with Radcliffe portraying the greatest literary hero of our generation, Harry Potter of course, so it's kind of difficult picturing him portraying such a tortured soul as Alan. I feel like Alan is too heavy of a character for Radcliffe, who played a lighthearted yet emotionally mature 10-year-old boy...who grew up in a wizardry school. I know he has the right to expand himself through all different characters, but a sarcastic brat like Alan doesn't seem to suit him well to me. I actually can picture Radcliffe pulling off the highly ecstatic frenzy parts, but not necessarily the snarky mocking remarks Alan makes to Dysart. From what I see, when actors are in the business for a while a trend they seem to inherit is portraying the same archetypal characters, so probably because Radcliffe is fairly new to the acting field, being in his early twenties, perhaps he has not yet found his archetype yet, which is fine, nor is it a requirement. I'm not suggesting that he totally failed at playing Alan but I am saying that there are certain parts I can't see him doing. 

The Harry Potter series was both a blessing and a curse for this guy. It was good that it established a career for him, but it's not good in the fact that we will always see him as Harry Potter and nothing else really compares. The same goes for a lot of child actors. However, his fans seemed to really appreciate his Broadway debut in Equus and still feel the same way about him in How to Succeed (Without Really Trying), in which he is currently starring on Broadway. At first I couldn't really see him singing and dancing either, but people told me he does very well in this musical and then I was really impressed with his performance on the Tonys, so I'd say he's doing well for himself and will continue to do so. The Harry Potter series proved to have been a springboard for him and a variety of roles.

Hey, you think that since Darren Criss has followed in Radcliffe's footsteps thus far, he'll be running around with horses in the nude sometime soon? Hey, just a thought. ;)

Anyway, all in all Equus is a very captivating read. I started this series off by saying that I am not much of a reader but I finished the book in two days, even with people talking around me, something that normally distracts me often, so that's saying something. It's a very small book without the intimidating bulkiness, so that helps. Reading it gave me chills. It's heavy and simple all at the same time, so yeah, I recommend. 

Okay, well there you have it. The very first installment of "Stef's 'So Good You Can't Put It Down' Book Reviews." This is what I take from Equus. I apologize for the length of this. I didn't expect it to be THAT long, so I will try to make my future installments a little bit more concise. I want my next one to be a classic, so I'm thinking Northanger Abbey by Jane Austen. Or, I might write about a fiction that I want to return back to. Already I'm slacking so we'll see. :)

Stef's "So Good You Can't Put It Down" Book Reviews

I was waiting to post this in June. :)

I have a confession to make. This has been a long time coming and I have been wanting to write a blog post about this sooner or later. Here goes...

I feel like such a failure as an English major, not because of my work ethic, but simply because I don't like to read.

Well, it's not that I totally hate reading. It's just that I'm the type of person who has to be REALLY engaged in a book in order to stay focused. It's not really like me to sit there, read, and be totally concentrated on the material. There's always a distraction. There are very few books that I have completed from beginning to end, and normally those books are the ones that I cannot put down and end up completing in a very short time span. The thing is, I don't like reading for school. Every time I have to read for school I always say that I am going to read it but then when the time comes I am never very motivated to do it and then end up not being able to contribute in class as well. I don't know why. Perhaps it is the book itself that just doesn't interest me or the fact that I am forced to read it for a grade, but I think the reason is I don't have a very focused attention span. Then there are the books that I get very invested in by then stop halfway. Again, my lack of attention span.

So this summer one of my main goals is to read more books (and complete them!) since I have more free time. Reading is very important and is something I want to return to. I was inspired to do this awhile ago, but the recent Lacordaire Academy Book Sale gave me even more convincing. I often buy plenty of books there because at the time they all look interesting and I want to collect reading material, but then I end up not reading them, which is a trait of mine that frustrates me. And to force myself to do this, I am hereby promising you some book reviews, whether they be on here or my YouTube channel. They may be plays (my favorite genre for obvious reasons, plus I find them quick, easier reads so it might be best to start off my book review series and summer reading challenge with something simple), classics (a goal of mine is to read as many classics as possible, some of them I have read already and some I am yet to read, so I may do these as special blog posts or do one every so often), fiction books I haven't read yet, fiction books I have read nonstop, completed, and loved, (I was thinking of doing these in their own series or starting off this series with them considering I have already read them), fiction books that I have started and finished halfway, and any other reading material that suits my fancy. I also want to do more movie and TV reviews on here as well, so I have my work cut out for me.

Okay, so there you have it. My summer blog project. We'll see how this goes. Of course, I will be writing about other musings and creating other series this summer as well.

I have just finished reading Equus by Peter Shaffer, so we'll begin "Stef's 'So Good You Can't Put It Down' Book Reviews" with that one, including a special announcement by me in regards to the MSU Department of Theater and Dance productions of the 2012-2013 season. ;)

Speaking of book reviews, check out my friend Janis's blog, where she actually specializes in book reviews.