Let's Talk About Some Awesome Broadway Happenings!

Let's talk about some theater shows that opened on Broadway this October that I am particularly excited about.

For this I am going to go by some Tony categories.

The Musical Revival: On the Town
Theater: Lyric Theatre
First Preview: September 20, 2014
Opening Night: October 16, 2014

First of all, let's get the "So You Think You Can Dance" connection to it out of the way.

It always comes back to that, doesn't it?

Ricky Ubeda, SYTYCD Season 11 winner

SYTYCD was how I first heard about the revival. Contemporary dancer Ricky Ubeda won the Season 11 competition, so therefore part of his award is landing a role in the ensemble. I originally thought that he would get a lead role, but oh well.

Part of the reason why I was rooting for hip hop and tap dancer Teddy Coffey is because of his musical theater background and singing talent, making him perfect for this, therefore a reasonable victor. Plus he wouldn't be too far from me lol. After he was eliminated I was rooting for tap dancer Zack Everhart, because who wouldn't want to see that guy in a musical? However, Ricky proves his worth and appreciation so I am glad that he won. I hope to see him in the show!

I'm excited about it because I first saw it at the Paper Mill Playhouse and even wrote about it for this blog! (Well, actually, I originally wrote it for The Montclarion, but because they didn't run it, I posted it here.)

The story follows sailors, mainly Ozzie, Chip, and Gabey, enjoying a 24-hour leave sightseeing and falling in love in New York before they embark on their military duties. It's a heartwarming musical about living in the moment and I am glad it is back.

Bonus: I just found out that SYTYCD Season 8 alum and former "Newsies" cast member Jess LeProtto of Little Falls, New Jersey is also in it.

Here is the Top 20 group number SYTYCD Season 11 did in honor of the musical. This was how I first learned about the revival and the award, as well as social media. Joshua Bergasse, the choreographer for the revival, choreographed this routine as well.:

Honorable Mention for Musical Revival: Side Show
Theater: St. James Theatre
First Preview: October 28, 2014
Opening Night: November 17, 2014

The Department of Theatre and Dance at Montclair State University actually presented this musical about two conjoined twins Daisy and Violet Hilton working at a freak show at the Alexander Kasser Theater a few years ago. It was one of the few shows I didn't see there, but I fell in love with the music when I watched YouTube videos of it. This is another chance for me to see it live. Like "On the Town", I am happy to see its return. :)

In fact, the MSU version of "Side Show" had its own installment in my "Peak Performances and their Awkward Sexual Moments" series, if you remember. Unfortunately, the videos I mentioned have since been taken down, as you can see in the blog post.

The New Play: The Curious Incident of the Dog in the Night-Time
Theater: Ethel Barrymore Theatre
First Preview: September 10, 2014
Opening Night: October 5, 2014

This play is based on the novel of the same name. I had to read the book for a summer reading assignment back in high school and when September rolled around we had group discussions about it.

This production looks just as artistically pleasing as the novel is. From what I remember, the book follows the adventures of and is narrated by an autistic kid named Christopher Boone investigating the murder of a dog and his interactions with people. There are actually illustrations throughout the book to showcase the kid's mind patterns, so that was a pleasant, welcome change to what I normally read for school. I expect the live play to be no less intricate.

It's not a favorite book of mine, but it is different and I like that another book that I have read now has a Broadway play counterpart of its own, considering that I missed out on James Franco's Broadway debut in "Of Mice and Men" this past summer.

The New Musical: The Last Ship
Theater: Neil Simon Theatre
First Preview: September 29, 2014
Opening Night: October 26, 2014

Finally, my favorite one on this list and the inspiration for this blog post.

This one I am particularly excited about because I see this every time I try to watch a YouTube video, and unlike other ads that just annoy me until the five seconds are up, I actually enjoy this one and normally let it play to its full course.

Composed by Sting, it follows the tale of Gideon Fletcher who works at the England town's shipyard but wants more out of life. The plot involves saving the shipyard and lost love.

Normally I wouldn't find sailing that entertaining nor am I a huge Sting fan, but something about this musical is drawing me to it. I'm excited about this one because it has a different vibe that I can't put to words. Perhaps it's that it doesn't incorporate the traditional cuteness most musical love stories often give off. I mean, it's about a shipyard. We never see musicals about that.

Plus, it seems to have strong female characters, and I always appreciate that.

That's Rachel Tucker making her Broadway debut as Meg Dawson, Gideon's jilted love. And she's clearly upset.

This is such a great scene from the unique choreography to the girl power sarcasm. I love Tucker in this because she has a deep, raspy voice in her singing that doesn't really match the high-pitched voices most musical leading ladies have. I think it might be her Irish brogue. When I first watched this, I was shocked to hear how deep and raspy her voice is. I didn't expect it.

Idina Menzel is another Broadway woman that does this I guess, but a lot of people can't really sing and belt like her and may find it difficult to sing the songs that are tailored for her. I myself do try my hand at Menzel's work at times and think I can pull it off okay, but I'm not very vocally trained.

I feel that Tucker and this song opens more opportunities for women who can't hit those certain high notes, like myself. I think that I'd feel pretty confident singing this song as opposed to others. So thanks, Sting!

Apparently a Sting musical has been in rumors for awhile now, but watching YouTube videos lately is the first I am hearing about it. That is some GREAT advertising!

Now if I can only get enough money to see all of these. :P

Does Art Always Have to Have a Meaning? A Theater Journalist's First Green Room Interview Experience

This blog post has been inspired by something Richard Schechner, the director of Alexander Kasser Theater's 10th season's opening production "Imagining O", said to me. I was covering "Imagining O" for Baristanet, which led to my interaction with Mr. Schechner.

"Imagining O" is one of those plays that does not necessarily have a straightforward story line. This particular play more so prides itself with its little bits and pieces of dream imagination sequences. After the play concluded and I chatted with two of the cast members, I asked to meet Mr. Schechner. I was taken backstage to the green room where he was sharing notes of the night's performance with the cast. We were introduced and I asked to get a quote from him. He then told me to ask the cast anything I wanted.

I figured that now that I am a professional freelance writer and a college graduate actually working in my field, I was in a good position to do backstage interviews. I never did these back when I was a Montclarion staff writer. This was my first chance as a professional so I wanted to take advantage of it and do it right.

I turned to the girls. They were women of all different ages, so it being a female run show I was excited to interact with them all. They in turn looked thrilled to see me there, so I wanted to make a good impression. They asked me what I wanted to know, and I told them that they could tell me anything they wanted. I used this as an opportunity to let the performers just say anything they want about their experiences with no limitations. However, Mr. Schechner preferred that I ask them specific questions.

"Oh. Okay," I said, seating myself sideways at the nearest table to face the cast, who was eating their dinner on a leather couch in the middle of the room. Mr Schechner sat to my left facing them. My mind raced searching for the questions that I had been mentally asking throughout the production. So, I turned to my generic question, one that I had also asked the two cast members a few minutes beforehand.

"What message do you hope to convey with this performance?" I asked.

Now that I think about it, I think I often ask this question and ones like it. I like to get some insight from the performers based on their own perspective of the piece.

However, Mr. Schechner wasn't having it.

“There are no messages or morals,” said Mr. Schechner, “It is full of contradictions and about imagination.”

I actually used this for a quote in my article.

The cast asked me what I thought of the play. All eyes were on me and I felt somewhat unprepared, given that the play wasn't fully clear to me and once again I wanted to make a good impression.

I said, "Well, I'll be honest. There were times when I was lost." I felt a little hesitant to say that to their faces, actually turning around to place my pen on my notebook probably to subconsciously avoid eye contact. But that's understandable, right? To feel lost during an art piece?

Mr. Schechner seemed perplexed. "At what part specifically were you lost?" He proceeded to tell me to get the idea of messages out of my mind (I think this was when he said that quote.) and that the play was just a piece of art to watch. He then compared it to looking at a sunset or a thunderstorm.

"Is there a message in the sunset? Is there a message in the thunderstorm?" he asked me, awaiting my response.

A little dumbfounded, I shook my head and uttered a small, "No." I mean, he DID have a point...

But then a few days later I thought that there very well COULD be symbolic messages behind sunsets and thunderstorms!!

Since then my article was written and published, but this debate about artistic messages and lack thereof stayed with me. I always felt that art had its own interpretations based on the viewer. Art is used to directly or indirectly make a point, such as with use of symbolism and satire, two of which "Imagining O" incorporates.

I thought back to my college days (Ha! It's only been a year and a half and I'm already considering them "back to my college days.") during my junior/senior year when I took an Art of Drama course with one of my favorite professors and advisor, Professor Naomi Liebler. She enjoyed discussions and challenging her students, especially me because I often spoke up in class and she knew me from our advising sessions in her office. This same discussion came up when discussing a play and for some reason she brought up juggling. She claimed that juggling is an art form that has no meaning behind it and questioned what meaning it could try to portray. I retaliated by saying that juggling could be symbolic of keeping balance in the world or something like that.

I have always been a deep thinker, obviously.

Professor Liebler gave me a look. It wasn't, "Wow, you're absolutely right!" nor was it "No, you're absolutely wrong." It was an in-between confused, somewhat sarcastic and proud grin that said to me, "Really? You really think that? Come on, now!" She may have actually said those words, but she was mainly happy that I was thinking and willing to argue my point with her.

She gave me the same look another time when she said that drama is a genre and comedy isn't and I claimed that comedy is just as much a genre as drama is. I think she believed that drama has more depth to it with tragic heros and whatnot whereas comedy does not and is just there. However, I believe that comedy could have depth to it as well and if drama is a genre than why shouldn't comedy be? This was when she smirked at me, her head resting on her right hand as she sat before us. She then stated that she was reconsidering her claim.

So am I right in believing that all art has meaning or could certain things in this world exist without it? 

Is it even possible for things to not have meaning? Doesn't everything have a reason?

An Open Letter to FOX about "So You Think You Can Dance"

Dear FOX (and any other TV station),

My name is Stefanie Sears. I am a professional freelance arts and entertainment writer from and residing in New Jersey. I am an avid fan of "So You Think You Can Dance" ("SYTYCD"), the American version, and it has been my favorite show since I began watching it back in 2007. Thank you for the show's very successful eleven seasons thus far. It has brought so much joy to my life and to the lives of others.

However, it has come to my attention that the show's fate weighs in the balance, so please allow me to express why it deserves to continue to have a spot in your summer prime time lineup.

Met Season 9 winner Chehon Wespi-Tschopp
at his Che Force Dance! The Convention Tour

1) "So You Think You Can Dance" helps some dancers' careers by focusing on them.

As an artist myself, a writer and a performing arts writer at that, I completely understand the struggle young artists endure to find good paying work for their abilities. It absolutely infuriates me to see no-talented folk constantly getting attention and big bucks for doing nothing worthwhile while young passionate artists who actually care and have talent are grabbing at peanuts.

For SYTYCD in particular, not only are dance and dancers showcased, they are SPOTLIGHTED. They are not background dancers like in most other shows; they are front and center. The first time we really saw this was when "A Chorus Line", known as the "dancers' musical," premiered on Broadway in 1975.

Let's continue to see this.

The dancers then go onto bigger things because the show has made them recognizable and I enjoy watching their careers progress. Contestants nowadays have been viewers who in the past have aspired to get on the show and end up achieving just that. Taking the show away takes away more career opportunity chances from more dancers.

In addition, the show gives the choreographers a chance to create and the acknowledgement they deserve.

2) "So You Think You Can Dance" introduces an art form that is rarely explored on TV (but the trend has been getting more popular).

In the television industry, singing competition game shows dominate, so it is great to see another art form, dance, highlighted in this way. Another show that comes to mind that does this and airs on general television is "Dancing with the Stars" ("DWTS"), a show that actually incorporates some SYTYCD alum. The difference between SYTYCD and DWTS is that DWTS focuses mainly on ballroom dancing whereas SYTYCD is more varied, though DWTS seems to have been expanding its horizons. Another difference is that although DWTS gives celebrities an opportunity to dance, SYTYCD is a way for young dancers to break out into the dance field.

A part of me wishes that "So You Think You Can Dance" wasn't a competition game show but rather just a dance variety show, but the show is what it is and does what it does.

Not only is it entertainment, it is educational, something that a lot of TV shows nowadays lack. Unlike what happens with "American Idol," SYTYCD's singing sister show that has been on the air even longer, the general consistency of the judges on SYTYCD is also a plus. I've often noticed that veteran judges Nigel Lythgoe and Mary Murphy and host Cat Deeley always really seem to love their jobs.

3)  "So You Think You Can Dance" is often up for an Emmy.

This year it is up for SEVEN (and even won some!). Not only is this an honor for the show itself, it is an honor for your station as well.

Season 11's Top 18 performs a chess themed hip hop group number
(My current desktop wallpaper)

4) "So You Think You Can Dance" created "National Dance Day".

Technically, SYTYCD's executive producer Nigel Lythgoe and his Dizzy Feet Foundation created the dance holiday, but SYTYCD is how a lot of participants have heard about it and the Dizzy Feet Foundation, which was "founded to support, improve, and increase dance education in the United States." It is wonderful to share such a great day celebrating dance with a TV show that promotes it. We share this happiness together and it is one of my favorite days of the year.

5) The "So You Think You Can Dance" Tours are the best experiences.

The SYTYCD Tours have been some of the best nights of my life. I've attended the tours for seasons 4, 7, and 10. Seeing the dancers you have admired onscreen now live, up close, and personal is always such an amazing experience.

Getting to meet them and chat for a little while is even better.

Meeting Stephen "Twitch" Boss at my first SYTYCD tour with friends Lauren and Cara
SYTYCD Tour 2008

Season 7's Robert Roldan from SYTYCD Tour 2010
(I've treasured this picture for years)

Season 10 from SYTYCD Tour 2013

6) "So You Think You Can Dance" helps people make friends.

Everybody seems to have their own fandom. This one happens to be mine. We've all heard of fans who have bonded over "Doctor Who", "Breaking Bad", and "Game of Thrones", to name a few, but I ended up connecting with fellow fans across the states and the globe because of THIS show. It is great to bond with people in this way, and I ended up bonding with two groups. One is the #SOTTMP (the acronym for which is an inside joke) and the other is the #SYTYCDFanFamily. I am grateful to have met them all through this show and share memories with them.

Not only are the fans a family unit, those involved with the show are a family unit as well. Together we invest in these dancers and hope the best for them.

7) "So You Think You Can Dance" is a source of happiness.

For some people, SYTYCD may be their only source of happiness in an otherwise struggling world. I myself can attest to this to an extent.

In a world full of bad news constantly taking place and corroding our newsfeeds and airwaves, or just being a post-graduate looking for good paying work and feeling frustrated at times, watching the show and interviews with the dancers instantly makes me feel better and takes my mind off of things. The words of wisdom from the dancers inspire me and their quirky personalities make me laugh.

But although dance is something to enjoy in times of sorrow, it could also be used to raise awareness and release emotion about the negatives in the world. This is something we all need.

The show itself is something for us all to come together and look forward to every week and especially every summer. We look forward to meeting new dancers and routines. Once a season (and even its following tour) ends, we end up feeling withdrawal. No other show gets the same reaction or comes up to it, at least for me.

There could be other reasons that other people and myself could add to this, but I believe my point still stands that "So You Think You Can Dance" is one worthwhile television program.

https://twitter.com/dizzyfeet/status/491251876017352704

Of course, ratings are an issue, as well as money, and all good shows must come to an end at some point, but "So You Think You Can Dance" has not yet reached that point. The show is unique when compared to other shows that are currently airing (some of which that have overstayed their welcome) and I can assure you that people do indeed tune in and appreciate what it has to offer. The show has its fans. There are also those who watch the show online or on their DVRs, so this could account for the low ratings in real time.

Ever need further proof? Check out what people have to say on Facebook and Twitter. You say yourself in the snippet to the left that you love the show, so it shouldn't be an issue for you to keep it alive.

SYTYCD helps people through their struggles and brings them joy. It deserves to continue that legacy.

Thank you for taking the time to read this letter. It is much appreciated if you were to please take your audience's requests and pleas into consideration.

Sincerely,

Stefanie Sears

New Professional Website Launch!

So other than endorsing Teddy Coffey, Carly Blaney, Serge Onik, and eventually Emily James on "So You Think You Can Dance" (ALL of whom were eliminated last night! >:|), I have been busy with job searching and other moves to further my career. I haven't really been inspired to writing a "Taking it One 'Stef' at a Time" style blog post, though I am interested in and brainstorming one about Teddy.

So, like I said, I don't like any month going by without a blog post, so here is July's post! Yay!

For the longest time I have been using this blog as my website, but I decided to jump in and actually finally create a website for myself after dabbling in it in the past but never being satisfied. I have been working on my professional website since March. The plan was to take a month to work on it and launch it in April but I got cold feet and kept tweaking it until I finally did publish it in late June. It might still need some decorating, but it looks nice right now. I'm actually hoping to do a photo shoot with my friend Andy at some point to get some professional head shots.

I've also been wondering if I should use different social media accounts just for my professional side. They have been created, but for right now I am just using the social media I have always been using. They seem to be working out thus far. I will let you know if anything changes.

So, here is my website! :)

Also, don't worry, "Taking it One 'Stef' at a Time" will still be here for my personal musings. ;)

Let's see how this works out!

Moritz Stiefel's Hair: 'Mind-Blowing' Theories about the Bumbling "Spring Awakening" Supporting Character

Ever since I wrote about the Studio Players production of Spring Awakening for Baristanet, I've been on a Spring Awakening kick since its preview show. 

The more I thought about this musical, the more the character design of supporting character Moritz Stiefel came to mind.

Seriously, what is up with his hair?

I've always wondered this. For those of you who do not know what I am talking about, here is the original design of Moritz Stiefel, as played by John Gallagher, Jr. in the Broadway version:

John Gallagher, Jr. as "Moritz Stiefel" performing at the 2007 Tony Awards

Okay, now that you've seen it, let's talk about it. His hair definitely stands out. It stands out so much that when I first saw the Studio Players production and all of the guys first came out during the "Mama Who Bore Me (Reprise)", I immediately was able to pinpoint which cast member was playing Moritz based on his hair alone. He didn't have to do anything, he didn't have to say anything. All he had to do was walk out with his hair sticking up and flipped over and I was all like, "That's Moritz."

Here is the Studio Players version of Moritz Stiefel, as played by Montclair State University musical theater major Chris Newhouse:

Photo Credit: Claudia Budris
https://www.facebook.com/photo.php?fbid=785384631493916&set=pb.103139329718453.-2207520000.1402362290.&type=3&theater

What's funny is it took me a little while to realize which actor was playing the lead character, resident radical Melchior Gabor. I didn't have this issue with Moritz by any means.

This tells me that the hairstyle for Moritz is so intentional that every actor who plays him has to make his hair look this way. I'm actually sensing that Newhouse grew and styled his hair out purposely for the role. If you look at the original costume sketches for the character from the book I have, you'll notice that his hair is the same there as well:

In fact, it is so iconic that it even HAS ITS OWN GOOGLE SEARCH RESULT.

So the question is: why?

An Update about my Life

I made a promise to myself to never let a month go by without a blog post. Obviously consider this May 2014's blog post.

I've had different ideas for May blog posts and even started writing some, but I've just been too busy to really focus on them.

Here's why:

1) I finally got a part time job!!! All year since graduation I've been searching for a job and finally found a nice one. I'm still learning the ropes and am a little rusty, for I just started May 9, so I hope to improve.

Oh wow. I'm almost working there a month already.

My shift is great and I wanted one like it so I can still focus on my freelance writing...

2) I recently saw a play at Studio Playhouse again, this time a musical, and am reviewing it for Baristanet. So keep a look out for that. :)

I like that I am juggling the two for extra income and am still looking for additional job opportunities. But I like where I am now in my life. I'm feeling a bit more confident in my professional self.

3) I will be taking an online course called "Writing Storybooks for Children". My aunt suggested it to me because she found a Groupon for it. At first hesitant, I decided to take it because it looks like a nice little course. I'm hoping that it can help me broaden my horizons with my writing and give me something extra productive to do, for I've never considered myself a children's book writer. We even get a certificate at the end for completing it!

It says that I can work the course into my own schedule, which is great. I think I'll update you with my progress on Twitter or something like that if I so choose.

4) I'm hoping to see both Maleficent and A Million Ways to Die in the West, both of which opened May 30, with friends. I'd like to make video reviews with them for both movies, but at the same time I just want to relax and just watch a movie for once, so we'll see what happens. I especially want to do one for Maleficent but I want to do it for the other movie too because it's Seth MacFarlane's second film and I kind of want to do a Paper Cup Reviews follow up to our Ted episode. I have been looking forward to both movies for the longest time and keep hearing about them and what critics are saying, but I want to see for myself. I even think the two are being compared, such as which do you prefer seeing, a drama (Maleficent) or a comedy (A Million Ways to Die in the West)?

Okay so there are the main things right now. I'm still looking into other activities in which to partake.

Why THIS IS THE END (2013) is a Strangely Appropriate Film for Lent (Written by a Christian Catholic)

It's not the best movie in the world, okay? You wouldn't necessarily consider it a religious experience considering its vulgar humor, but I found it a somewhat appropriate film for this time of the liturgical year: Lent.

To see if I am making a bold statement, I looked up some Christian and Catholic reviews of the film, which exist because of its nature, and they just knock it. So, I decided to share my positive point of view of it.

Real Influential Women Role Models (Real and Fictitious) - Fictional Woman of the Week: Carmen Cortez from the "Spy Kids" Franchise (2001, 2002, 2003, 2011)

The Spy Kids franchise is a group of movies that introduces the spy genre to kids. It's amazing how as a kid watching them, these were some of the most brilliant movies, but now watching them as an adult, they are so corny.

Anyway, that is a blog post for another time.

Carmen Cortez (Alexa Vega) is very mature for her age. When she and her little brother and eventual secret agent partner Juni (Daryl Sabara) discover their parents' secret career, they are thrown into the secret agent business themselves, family being a huge theme of the series. She and her brother embark on missions on their own, Carmen often the one wanting independence. She's well spoken, takes things seriously, and is an expert hacker. She and her brother work together and aren't afraid to acknowledge that they need each other.

The fate of the world often rests in her hands.

And yet, she's still just a kid.

She's sometimes embarrassed by her parents, fights with her brother, and develops a crush on a rival agent in the second movie. She has both a girly and tomboyish side, so therefore all different little girls can relate to her. Throughout the course of the franchise we watch her grow up. In the third movie she is somewhat irrelevant as Juni carries the story searching for her in a virtual reality game. His whole goal is to find her, so I guess she is important, but we don't really see her until the final quarter of the film. I think this is partially because at the time actress Vega was finding herself a little too old to be considered a "spy kid."

Her Outcome: Carmen appears in the fourth and so far final movie of the franchise as an experienced agent fit to train others. She and Juni reopen and become co-directors of the O.S.S. Spy Kids program.

I don't want to jinx this, but I also want to commend Alexa Vega for not becoming a child star gone bad. I highly appreciate her for this.

Well, since today is the final day of March, this is the final installment of this series this year. I hope you enjoyed my weekly posts! Thank you so much for reading. I've already been planning for next year!

Once again, Happy Women's History Month! :D

Real Influential Women Role Models (Real and Fictitious) - Fictional Woman of the Week: The Warden from "Holes" (1998, 2003)

The Warden became another Disney villainess when the Disney film adaptation of Louis Sachar's novel of the same name came out in 2003. She was portrayed by Sigourney Weaver.

I wanted to write about a book character and asked for suggestions via social media. I expected to get Katniss from The Hunger Games series or Hermione from the Harry Potter series (later on I actually did), but instead I got Scarlett O'Hara from Gone with the Wind and Catherine Earnshaw from Wuthering Heights.

I don't know as much about Hermione or Katniss or have much of an attachment to them in order to write about them and the other two don't seem that very influential in a positive way, so I decided to choose one of the few female characters from my favorite childhood book and movie. It's still among my favorites.

She actually might be a strange choice for this series given that she is not necessarily positive herself, but you be the judge.

Holes is very testosterone heavy, so therefore The Warden stands out that much more. It isn't determined until much later that the Warden is indeed a chick. She even has this whole introduction scene.

The nameless Warden runs Camp Green Lake, which is where juvenile delinquent boys dig holes to "build character." However, there is a more sinister behind it.

Anyway, what makes her influential is how she carries herself running a company. Sure, some of her actions aren't quite honorable, but she is actually very soft-spoken and rarely needs to raise her voice for the men at the camp to do what they are told. The male camp counselors, Mr. Sir (Jon Voight) and Dr. Pendanski (Tim Blake Nelson), never seem to have a problem taking orders from a woman. In fact, they actually seem pretty scared of her and her low key scoldings. She's one of those people who is frightening because she is so calm.

Until she strikes you with rattlesnake venom nail polish.

Regardless of her intentions and that she is running a sketchy facility, she is actually a pretty brave and clever woman. She is someone with whom you do not want to mess.

Her Outcome: The Warden, along with her camp counselors, is arrested for misconduct. However, you do feel sorry for her.

I can't recall if they revealed this in the book, but in the movie it is revealed that she is Trout Walker's (Scott Plank) granddaughter and Walker forced her to dig holes in this very area as a child in pursuit of Kissin' Kate Barlow's (Patricia Arquette) treasure. It turns out that the treasure belongs to the Yelnats family, and before Stanley Yelnats (Shia LaBeouf), the main character serving time at Camp Green Lake, leaves, she asks to see what's inside the chest. He sarcastically replies with her own catch phrase, "Excuse me?", and refuses.

From the audience's perspective, he could've very well showed her to give her some closure. You sympathize with her because it wasn't her fault that her childhood was ruined by her grandfather, making her frantically search for the treasure herself in her adult years.

But then again, making a sneaky institution force teenage boys to dig for her is pretty cruel.

Real Influential Women Role Models (Real and Fictitious) - Fictional Woman of the Week: Ursula from "The Little Mermaid" (1989)

Villains can be influential too, right?

She's not conventionally pretty or thin, but dang it, she is CONFIDENT! She is proud of her "body language" and isn't afraid to admit when she thinks that a younger man is hot. She also loves makeup.

Like Jafar, Ursula (voiced by Pat Carroll) is one of the Disney villains that gets to share her side of the story in StarKid's Twisted. Wonderfully performed by StarKid Jaime Lyn Beatty, I had a feeling that Ursula's background would be what she said it was. Ever since I watched this, I've been inspired by this character to write about her more.

She was the last female Disney villain before Mother Gothel of Tangled. When compared to other female Disney villains, such as Maleficent, The Evil Queen, Lady Tremaine, etc., she seems the most joyous, doesn't she? While the rest of these women are your typically moody old hags out to destroy those younger and prettier than them, Ursula has her fun and is always laughing.

Ursula's motives are a lot more than just hating Ariel for being pretty; she wants to rule over the whole ocean! She also straight up gives Ariel detailed instructions and informs her of consequences. No villain is that kind.

Her Outcome: Ursula is impaled by Prince Eric's ship's bowspirit.

Check out this cute video I discovered awhile ago of voice actress Carroll reading to kids. :)